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Internet Archive Frequently Asked Questions. Can I upload live recordings that were broadcast on XM Radio or Sirius Satellite Radio? At this point in time, Archive. Subscribers have informed us that they were required to sign a "Terms of Use" document that forbids the recording/hosting/rebroadcasting of any material received from these services. Until we hear otherwise, these recordings cannot be hosted here.
A recording I uploaded and marked 'no lossy formats' had them created (mp. How can I remove them? If you come across this situation and you are the uploader, click [edit], select the derivation option you prefer, and then 'Update'. You should see the message "Format Options Updated Successfully". Within 1. 0 minutes the system will create a "_rules. Then, the next time the system performs an automatic sweep looking for changes, it will notice the new rules file and remove the lossy files automatically. The sweep occurs approximately twice a day, so you should see the files removed within 1. The Internet Archive. Does the Archive issue grants? No; although we promote the development of other Internet libraries through online discussion. If you are not the uploader, send us an email (etree at archive dot org) and an admin will remove them. How do I search for an artist by date of the concerts? As an example I'll search for Del Mc. Coury. start at https: //archive. Del Mc. Coury in the "Search this Collection" text field on the right side and hit return. I prefer list view so I click the icon (the four stacked horizontal lines) all the way on the right side of the "SORT BY" bar. And, I check the "SHOW DETAILS" box to show more information. Now I've got results for Del Mc. Coury in the Live Music Archive at https: //archive. Del%2. 0Mc. Coury. Now click the "DATE PUBLISHED" link in the "SORT BY" bar above the results. ![]() Now I've got them sorted by concert date from newest to oldest at https: //archive. Del+Mc. Coury& sort=- date. To reverse the order click the Up/Down arrows just to the left of the words "SORT BY in the "SORT BY" bar. Now they concert dates are from oldest to newest at https: //archive. Del+Mc. Coury& sort=date. Why is a . txt file required? The . txt file is used by the LMA collection to populate metadata in the item, especially the titles of tracks in the playlist. Please be sure it is a . Should I upload checksum files like MD5 or ftp? We no longer require nor desire checksum or fingerprint files. Often they cause problems when files are changed in the item. Systems have improved to the point where we no longer see checksums as necessary to verify accurate upload/download. Can I upload concert videos? At this time, video uploads are not being accepted, namely because most of the bands archived prohibit the video taping of their shows. Moreover, unlike audio, where we actually have a shot at archiving the vast majority of any given band's live concerts (in very high quality format), video is scarce and, unless made by the artist (in which case, it's typically for commercial purposes), is not of particularly good quality. There's no set list for this show, or, The set list does not match up with the number of files. Should I submit an error report? There has been an increasing number of shows uploaded to the Live Music collection without set list information, or the set list was not properly matched to the files. When you notice a recording like this, please email us (etree at this domain) only if you have an updated set list, or you are able to match the files up correctly. We would prefer that you do not submit error reports letting us know that there is no set list - tracking down set lists for every concert and matching them up to the recordings is a monumental task that has grown beyond the capabilities of the small group of Archive. We would like fans that are familiar with each artist's material to help us with this project - in your email, please give us specific instructions on what changes to make and we will do so. I'm an artist who would like to be included in the Archive, what do I need to do? We'd love to have you! Just write to us at etree at archive dot org in English giving some kind of permission for us to archive your shows for public download and noncommercial, royalty- free circulation. It does not need to be a formally worded declaration, and can come from anyone you feel has the "say- so." We just need to be clear on how you feel about the project. We will put relevant quotes onto a new "collection" page (examples) for your performances, along with a link to your official website. It is necessary for you to email us at etree at archive dot org in order to create a new section. We want to be sure that the go- ahead really is coming from you. Please do not attempt to create your own collection, or to upload any of the band's shows, in advance of receiving an emailed confirmation message from curators; such attempts may significantly complicate or delay the curators' setup process. You can give as much or as little scope for archiving as you like. Some bands place limits on what can be hosted, and we can accommodate those. Archive Curators, volunteer fans who have proven to be in line with the spirit of this archive, will attempt to screen contributions for OK'ed material only. At the same time you give the go- ahead, feel free to pass along any notes or policy links on your general taping/trading stance as well. You don't need to have a formal written or posted policy before inclusion, but we'd like to know how you feel about the topic. Besides fans sending their copies of your shows, you can also prepare and upload your own live recordings to the Archive, if you like. In fact, if you'd like to limit your material to selected contributions from you only, please just let us know. If you have any questions about the project, please ask us anytime at etree at archive dot org. I have a different source for a show that is already in the archive, should I upload it anyway? Yes! In keeping with the nature of this Archive, it is appropriate for multiple sources of the same show to be available for download. When you upload the new source, be sure to name the source in the show's top level folder to avoid confusion. Some bands do place limits on the types of sources allowed (such as soundboard recordings), so please check the policy for any given band. The progress of my upload says 'File metadata XML invalid. Waiting for user to correct.' How can I fix this? This is typically caused by illegal symbols being used somewhere in the information that was put into one of the forms submitted with the show (either the import form or "File Options"). Double check that the only characters used are those visible on a standard English- language 1. More information and a few examples are here. If you have trouble finding the cause, please post to the forum for help. An admin will have to resubmit the recording for another try, so please send an email including a link to the recording to etree AT archive DOT org if you believe you have cleared the issue. More information on what XML files are and how they are created can be read here. Can bands place restrictions on material to be archived? Yes. Each band can tailor the extent of their permission to the Archive. We quote the band's wishes in the Rights section of the band's Collection page. Here are some examples of special restrictions bands have requested. We point out different cases in a band's policy information using a shorthand "Limited Flag" tag. We have a contribution system set up to accommodate individual bands' requirements. During the upload process, contributors are urged to double check the band's policy notes at different stages. Archive Curators, volunteer fans who have proven to be in line with the spirit of this archive, will attempt to screen contributions for approved material only. In addition, access to a particular item can be removed if it becomes restricted later (for example, a date newly chosen for commercial release must be removed under some band's policies). Bands, please contact us at etree at archive dot org anytime to let us know how we can work with you to make things happen. Do you provide an RSS feed of new updates to the LMA? Indeed! The URL of the feed is http: //www. You can plug this into a front end like Ampheta. Desk (available at: http: //www. What does the 'Transferred by' field mean? This field indicates the person who did the original DAT/MD/Cassette to WAV conversion. Also, note that in the case of recordings made directly to laptops there is no transfer. Regarding removing the lossy files .. My Take on Adobe's Creative Cloud Deal for Photographers. Since Adobe announced their Creative Cloud subscription- only business model, I’ve been saying the same thing again and again — “… the deal just isn't there for photographers yet.”Well, that all changed during the opening keynote at Photoshop World last week in Vegas when Winston Hendrickson (Adobe’s Vice President of Engineering for Digital Imaging, and a serious sports photographer himself), announced a better deal than I was ever expecting: if you have any previous version of Photoshop (all the way back to CS3), you can get the combo of both Photoshop CC and Lightroom 5 for just $9. Dec 3. 1, 2. 01. 3). Much better than I was expecting. I had been talking with Adobe about a deal like this for photographers since they first announced the subscription- only plan, and the number I had been hearing was $1. I had been pulling for (and hoping) they would offer it at just $1. I thought was a very fair price. When I heard, just a few days before the keynote, that they were going to offer both at $9. I was pretty stunned. I never saw a price that low coming. That’s about 3. 3¢ a day for Photoshop. And Lightroom. The latest versions. I know we waited a while for this deal, but at least it was worth the wait. Doing The Math. To upgrade Photoshop to the latest version was usually $1. Lightroom’s yearly upgrade is around $7. That’s around $2. Now it’s just $1. Plus, you get 2. 0GB of online storage (if you want it), and a Behance. Pro. Site membership as well. The math works. I’ve talked to a lot of photographers since the deal was announced last Wednesday, and they all really felt Adobe stepped up on this one, and that this was a more than fair deal. I totally agree. So, how long does that price hold? Forever! (OK, Adobe didn’t use the word “Forever” because there’s no way their lawyers would ever let them do that, so this is just me talking, but my understanding is they will hold that $9. If they drop off at some point, and they want to come back into the program, they’ll have to come back at the regular price of $1. Again, that’s not Adobe talking, that’s just my understanding, but that is my understanding. That being said, I can’t image that in the year 2. I believe they plan on holding it there for the foreseeable future). I don’t have all the answers about specifics like “What if I’m already subscribed to Photoshop CC by itself?” or any of the myriad of questions existing subscribers might have, but Adobe published an FAQ with lots more details and specifics right here. However, Here are five things I think you should know about this deal: (1) Don’t let the word “Cloud” throw you off. You don’t run Photoshop or Lightroom in a browser (huge total myth). In fact, just forget the word “Cloud” altogether — think ” App store” instead, because the only time you’ll use your browser is to download Photoshop and Lightroom onto your computer, where they work and run just like always (unless you choose to use their online storage option).(2) You don’t have to stay connected to the Internet. Another myth. It just checks once a month. One time. Just a few seconds.(3) There is a difference between “Limited Time Offer” and an “Introductory Price.”Adobe is making this deal available until the end of the year. That’s a “limited time offer” not to be confused with an “Introductory Price” which is a price that goes up at some point, like after a year (this deal doesn’t do that, but I’ve seen a lot of folks confusing the two). Also, a lot of folks didn’t realize that Adobe added Lightroom to to the CC offering a while ago, but you can still buy it outright if you want to own it for $1. But then when Lightroom 6 comes out, it’ll cost ya another $7. You’d be better off to take Adobe up on this $9. Adobe heard you. Adobe’s own Photoshop Senior Product Manager Bryan Hughes did a great job of explaining how Adobe is listening to its customers at the closing ceremony at Photoshop World. They are totally tuned- in to what’s happening with their 5- million+ Facebook followers; what’s being said in the Adobe forums, out in the field one- on- one and in blogs and social media throughout the industry. What you’re seeing here is Adobe doing something really meaningful, really significant, and really affordable for photographers. Two cups of coffee to use software programs designed for professionals. That’s incredibly fair.(5) But Adobe isn’t going back. I know no matter what Adobe does, no matter how good an offer, there will still be some people who are going to post angry comments here, yet again, about how they don’t like the subscription model and that they’re not buying into it and so on. I have news for you. Adobe is NOT going back to selling Photoshop as a stand- alone product. These folks think if they keep relentlessly complaining that Adobe will change their mind and go back to the old plan. I can tell you this — that is simply not going to happen. They also think everybody is mad about this subscription plan. That’s because they’re not actually reading business news about Adobe. They’re basing this on what they’re reading, and posting, at the same sites where other angry users hang out — and not on what what’s actually happening business wise at Adobe, or they would know that a year ago Adobe’s stock was in the low $3. Today they’re near their yearly high and approaching $5. Back in June Adobe announced they had over 7. CC subscribers. This month when they announce their quarterly earnings where do you think those numbers will be now? I wouldn’t be surprised to see them at nearly a million paid subscribers. That’s an insane number. Adobe’s Creative Cloud business plan is working big time for Adobe and for nearly a million of their customers, and now they have a killer deal for photographers (the one group that had been left behind). This is Adobe’s business plan going forward, and they’re not looking back. The deal we’ve been waiting for…Photographers have been waiting a while for a CC deal that makes dollars and sense and now it’s finally here. You jump up to Photoshop CC (so you get all the new Upright Lens features, and the ability to apply Camera Raw as a filter [my personal favorite], and the Shake Reduction filter and more, plus whatever else Adobe dreams up as soon as its ready — not 1. Plus you get Lightroom 5 and whatever’s next for it, automatically, all for $1. A ton of photographers will take advantage of this, and I can’t wait for the opportunity to teach them all the cool new stuff in CC. Then there are “the other guys.” To them, the only thing Adobe could do to make them happy is go back to the old way, which isn’t going to happen for the reasons outlined here, and for other reasons we have yet to discuss (but we’ll be talking about on “The Grid” this Wednesday at 4: 0. So that’s my take on it. Adobe just invited the rest of us (photographers using some previous version of Photoshop) to the party with an incredibly fair deal. A better deal than I ever dreamed they’d offer. Amazing! They also showed the roadmap of products and services they’re developing for photographers, and we’ll have access to in the coming months. Sadly, a few folks will still keep posting angry comments and complaining on and on (and I’m certain we’ll hear from them here today), but with this deal, a lot of new folks will now join CC to take their place. I hope you choose the other route and start using the coolest software Adobe’s ever made, and at the best price in their history. It’s a day to celebrate, and I’m doing just that. Cheers everybody, and here’s wishing you your best Monday yet! Keep. VID Pro 6. 3. Portable + Crack. Rate This Post: Loading.. Keep. VID Pro 6. 3. Portable + Crack Keep. VID Pro v. 6. 3. 0. Portable Keep. VID – programs for downloading videos with a large number of specialized sites which include Youtube, Dailymotion and several thousand others, the list is on the official page. When working with You. Tube you can download entire playlists, you just need to specify their address. It is possible to convert video to MP4 format, for example. In general, this is all you need to know in order to decide whether to download or not. Russian support is not here, but it’s logical, externally software is pleasant, convenient to work with, nothing causes rejection, I hope you come in handy. Forgot to add, it seems to me that this is a clone of Wondershare All. KeepVID Pro 6.3.0.7 + Portable + Crack KeepVID Pro v6.3.0.7 + Portable KeepVID - programs for downloading videos with a large number of specialized sites.The Best Just Got Better. The new uTorrent Pro is faster, smarter and safer. Instantly stream torrents. No waiting. Search the web to find torrents and magnet links. FIFA 16 Cracked PC Game is Here! [Crack Only] [Fixed Data] [Super Deluxe Edition] FIFA 16. FIFA 16 Create more moments of magic than ever before with FIFA 16. My. Tub? Good luck, people! License: Share. Ware – for you free of charge. Language: English – Russian version and Russifier are missing. The size: 1. 50. 1. MBOS: Windows. How to Install: 1). Instructions are included in Read. Me. txt if needed. Thats all, Done & enjoy. Keep. VID Pro 6. 3. Portable + Crack. Torrent Download. Keep. VID Pro 6. 3. Portable + Crack. ![]() ![]() ![]() ![]() I²C - Wikipedia. Not to be confused with I²S. I²C (Inter- Integrated Circuit), pronounced I- squared- C or I- two- C, is a multi- master, multi- slave, packet switched, single- ended, serialcomputer bus invented by Philips Semiconductor (now NXP Semiconductors). It is typically used for attaching lower- speed peripheral ICs to processors and microcontrollers in short- distance, intra- board communication. Alternatively I²C is spelled I2. C (pronounced I- two- C) or IIC (pronounced I- I- C). Since October 1. 0, 2. I²C protocol. However, fees are required to obtain I²C slave addresses allocated by NXP.[1]Several competitors, such as Siemens AG (later Infineon Technologies AG, now Intel mobile communications), NEC, Texas Instruments, STMicroelectronics (formerly SGS- Thomson), Motorola (later Freescale, now merged with NXP[2]), Nordic Semiconductor and Intersil, have introduced compatible I²C products to the market since the mid- 1. SMBus, defined by Intel in 1. I²C, defining a stricter usage. One purpose of SMBus is to promote robustness and interoperability. Accordingly, modern I²C systems incorporate some policies and rules from SMBus, sometimes supporting both I²C and SMBus, requiring only minimal reconfiguration either by commanding or output pin use. ![]() Revisions[edit]The history of I²C specification releases: In 1. Hz I²C system was created as a simple internal bus system for building control electronics with various Philips chips. In 1. 99. 2, Version 1 added 4. Hz Fast- mode (Fm) and a 1. This was the first standardized version. In 1. 99. 8, Version 2 added 3. MHz High- speed mode (Hs) with power- saving requirements for electric voltage and current. In 2. 00. 0, Version 2. In 2. 00. 7, Version 3 added 1 MHz Fast- mode plus (Fm+) (using 2. A drivers), and a device ID mechanism. In 2. 01. 2, Version 4 added 5 MHz Ultra Fast- mode (UFm) for new USDA (data) and USCL (clock) lines using push- pull logic without pull- up resistors, and added an assigned manufacturer ID table. It is only a unidirectional bus. In 2. 01. 2, Version 5 corrected mistakes. In 2. 01. 4, Version 6 corrected two graphs. This is the most recent standard.[3]I²C uses only two bidirectional open- drain lines, Serial Data Line (SDA) and Serial Clock Line (SCL), pulled up with resistors.[3] Typical voltages used are +5 V or +3. V, although systems with other voltages are permitted. The I²C reference design has a 7- bit or a 1. Common I²C bus speeds are the 1. Recent revisions of I²C can host more nodes and run at faster speeds (4. Fast mode, 1 Mbit/s Fast mode plus or Fm+, and 3. Mbit/s. High Speed mode). These speeds are more widely used on embedded systems than on PCs. There are also other features, such as 1. View and Download Printronix P7000 user manual online. Cartridge Ribbon Printer. P7000 Printer pdf manual download. Tektronix understands that engineers rely on an oscilloscope throughout their design cycle, from prototype turn-on to production testing. The DPO7000 Series. Www.iftools.com | [email protected] IFTOOLS GbR Matterhornstrasse 17, 65199 Wiesbaden / GERMANY Phone +49 6127 7058783, Fax +7449. Note the bit rates are quoted for the transactions between master and slave without clock stretching or other hardware overhead. Protocol overheads include a slave address and perhaps a register address within the slave device, as well as per- byte ACK/NACK bits. Thus the actual transfer rate of user data is lower than those peak bit rates alone would imply. For example, if each interaction with a slave inefficiently allows only 1 byte of data to be transferred, the data rate will be less than half the peak bit rate. The maximal number of nodes is limited by the address space and also by the total bus capacitance of 4. F, which restricts practical communication distances to a few meters. The relatively high impedance and low noise immunity requires a common ground potential, which again restricts practical use to communication within the same PC board or small system of boards. Reference design[edit]The aforementioned reference design is a bus with a clock (SCL) and data (SDA) lines with 7- bit addressing. The bus has two roles for nodes: master and slave: Master node – node that generates the clock and initiates communication with slaves. Slave node – node that receives the clock and responds when addressed by the master. The bus is a multi- master bus, which means that any number of master nodes can be present. Additionally, master and slave roles may be changed between messages (after a STOP is sent). There may be four potential modes of operation for a given bus device, although most devices only use a single role and its two modes: master transmit – master node is sending data to a slave,master receive – master node is receiving data from a slave,slave transmit – slave node is sending data to the master,slave receive – slave node is receiving data from the master. The master is initially in master transmit mode by sending a start bit followed by the 7- bit address of the slave it wishes to communicate with, which is finally followed by a single bit representing whether it wishes to write (0) to or read (1) from the slave. If the slave exists on the bus then it will respond with an ACK bit (active low for acknowledged) for that address. The master then continues in either transmit or receive mode (according to the read/write bit it sent), and the slave continues in its complementary mode (receive or transmit, respectively). The address and the data bytes are sent most significant bit first. The start bit is indicated by a high- to- low transition of SDA with SCL high; the stop bit is indicated by a low- to- high transition of SDA with SCL high. All other transitions of SDA take place with SCL low. If the master wishes to write to the slave, then it repeatedly sends a byte with the slave sending an ACK bit. In this situation, the master is in master transmit mode, and the slave is in slave receive mode.)If the master wishes to read from the slave, then it repeatedly receives a byte from the slave, the master sending an ACK bit after every byte except the last one. In this situation, the master is in master receive mode, and the slave is in slave transmit mode.)The master then either ends transmission with a stop bit, or it may send another START bit if it wishes to retain control of the bus for another transfer (a "combined message"). Message protocols[edit]I²C defines basic types of messages, each of which begins with a START and ends with a STOP: Single message where a master writes data to a slave. Single message where a master reads data from a slave. Combined messages, where a master issues at least two reads or writes to one or more slaves. In a combined message, each read or write begins with a START and the slave address. After the first START in a combined message these are also called repeated START bits. Repeated START bits are not preceded by STOP bits, which is how slaves know that the next transfer is part of the same message. Any given slave will only respond to certain messages, as specified in its product documentation. Pure I²C systems support arbitrary message structures. SMBus is restricted to nine of those structures, such as read word N and write word N, involving a single slave. PMBus extends SMBus with a Group protocol, allowing multiple such SMBus transactions to be sent in one combined message. The terminating STOP indicates when those grouped actions should take effect. For example, one PMBus operation might reconfigure three power supplies (using three different I²C slave addresses), and their new configurations would take effect at the same time: when they receive that STOP. With only a few exceptions, neither I²C nor SMBus define message semantics, such as the meaning of data bytes in messages. Message semantics are otherwise product- specific. Those exceptions include messages addressed to the I²C general call address (0x. SMBus Alert Response Address; and messages involved in the SMBus Address Resolution Protocol (ARP) for dynamic address allocation and management. In practice, most slaves adopt request- response control models, where one or more bytes following a write command are treated as a command or address. Those bytes determine how subsequent written bytes are treated or how the slave responds on subsequent reads. Most SMBus operations involve single- byte commands. Messaging example: 2. EEPROM[edit]One specific example is the 2. EEPROM, which uses two request bytes that are called Address High and Address Low. Accordingly, these EEPROMs are not usable by pure SMBus hosts, which only support single- byte commands or addresses.) These bytes are used to address bytes within the 3. B) supported by that EEPROM; the same two- byte addressing is also used by larger EEPROMs, such as 2.
![]() Deploying Cluster Shared Volumes (CSV) in Windows Server 2. R2 Failover Clustering. Hi cluster fans, By now you have probably heard of the new architectural innovation being brought to Failover Clustering in Windows Server 2. R2 known as Cluster Shared Volumes, or CSV. CSV functions as a distributed- access file system optimized for Hyper- V. A comparison would be to a clustered file system, however, unlike other clustered file systems, CSV does not use any proprietary technology – it uses standard NTFS, so there is nothing special you need to purchase or support – it just works! If your storage is suitable as a standard clustered disk, it can be used as a Cluster Shared Volume. In the past, only one node could host a virtual machine (VM) and access the VHD on the shared storage, so if another node needed to host the VM or access the disk, it would need to failover and it would affect every resource on that shared disk. With CSV in R2, any node can host the VM and any node can access the VHD on shared storage, so VM and disk ownership can move freely across cluster nodes without impacting any other resources on that shared disk. CSV will provide many benefits, including easier storage management, greater resiliency to failures, the ability to store many VMs on a single LUN and have them fail over individually, and most notably, CSV provides the infrastructure to support and enhance live migration of Hyper- V virtual machines. This blog post will cover configuring and deploying Hyper- V VMs using CSV in a Windows Server 2. R2 Failover Cluster. We will discuss other benefits and features of CSV and live migration in future posts. All information is based on the Beta 7. Windows Server 2. R2 and is subject to change for the RTM version of this product. Please report any bugs through the Microsoft Connect site or send us feedback by clicking the ‘Email’ link in the upper- left corner of this site. Thanks,Symon Perriman. Program Manager. Clustering & High- Availability. Prepare your cluster. · Disable Disk Initialization Windows Server. to disable disk intialization in windows 2008 R2. Disable-Disk-Initialization-Windows-Server-2008-R2. No disk viewable in Windows 2008 Failover cluster. No disk viewable in Windows 2008 Failover cluster Manager. the vxio driver for SFW claims all of the. To configure CSV we must first build the cluster. There is nothing different which needs to be done for CSV. R2 clustering will still support i. SCSI, Fibre Channel and Serial Attached SCSI (SAS) for storage. CSV will work with any of these, so long as the disk is using NTFS as the file system.[Update 3/3. For best practices regarding Hyper- V networking and NICs based on RTM behavior, please refer to this documentation: http: //technet. WS. 1. 0). aspx. For the networks, it is still recommended to have a public network for client connections. Additionally, we recommend a dedicated network for CSV, internal communication and ‘heartbeat’ traffic, and another NIC for live migration traffic which should be at least 1 GB. This is to ensure that the heartbeat network does not get flooded by live migration traffic and miss health- checks which would cause a failover. If you are using i. SCSI you will need another NIC for that i. SCSI network. Once you have verified that the hardware you will use in the cluster supports Hyper- V, you install the Failover Clustering feature and the Hyper- V role from Server Manager on every node in the cluster. Due to the way which CSV disks are accessed, it is recommended that you use the same drive letter for your OS on every cluster node (such as C: \). Once the hardware is connected and the correct roles and features are installed, you should ensure that the entire clustering configuration is supported. This is done by running the built- in Validate a Configuration tool (Guide: Validating Hardware for a Failover Cluster). So long as every component in the solution has a logo for Windows Server 2. R2 and it passes ‘Validate’ then it is supported for CSV. Alternatively, you can purchase a pre- Validated solution from one of our partners in the Failover Clustering Configuration Program. After the solution has passed ‘Validate,’ create a cluster (Guide: Creating a Failover Cluster)2) Enable CSVTo enable Cluster Shared Volumes (CSV) on a cluster, click on that cluster name in the navigation pane in the Failover Cluster Manager MMC snap- in. In the center pane, click the “Enable Cluster Shared Volumes…” link. A notification appears reminding you that CSV is only for use with Hyper- V. The cluster now supports CSV. A new node appears in the navigation pane for Cluster Shared Volumes: 3) Create CSV Disks. Now that CSV is enabled, create some CSV disks. A. Select the Cluster Shared Volumes node in the navigation pane in the Failover Cluster Manager. B. In the right Actions pane, select “Add storage”. This will bring up a window that shows all the disks in the Available Storage group. Check the disks you want to add, then select “OK” C. The new disk(s) now appear in the list for Cluster Shared Volumes: 4) Copy VHDs to your CSV Disks CSV allows every cluster node to access the disk concurrently. This is accomplished by creating a common namespace under %System. Drive%\Cluster. Storage. For this reason, it is necessary to have the OS on the same drive letter on every node in the cluster (such as C: \, which will be used in this blog). You will see the same directory from every node in the cluster and this is the way to access CSV disks. Each CSV disk has its own volume in the directory and is assigned the default name, Volume. X, for each disk. In this example we have 3 CSV disks so we see 3 folders. The C: \Cluster. Storage directory must keep the same name, however the volumes within this directory can be renamed. You will need to copy your VHDs onto these directories to create highly- available VMs. CSV will support dynamically- expanding, fixed- sized, and differencing VHDs. CSV will not support pass- through disks. Create VMs on CSV Disks. After enabling CSV and placing the VHDs on the CSV disks, we are ready to make those virtual machines highly- available. A. Open Hyper- V Manager. B. From the Action pane, select “New” and then “Virtual Machine”. This will open the New Virtual Machine Wizard. C. Provide a name for the Virtual Machine and check- mark the box for “Store the virtual machine in a different location”, then specify the path under “C: \Cluster. Storage\” for the volume that you want the VM to use. D. Specify the memory for the VM, then “Next > ”E. Specify the network for the VM, then “Next > ”F. In the “Connect Virtual Hard Disk” page of the wizard, if you specify either “Create a virtual hard disk” or “Use and existing virtual hard disk”, specify a path to a Cluster Shared Volume under C: \Cluster. Storage\ G. Select “Next > ”H. Choose the desired options in the “Installation Options” wizard page. Select “Next > ”I. Select “Finish” at the Summary Page of the Wizard. Make your CSV VMs Highly- Available. Now that we have created our VMs on our CSV disks, we can make them highly- available so they can be managed by the cluster and can fail over. A. Open Failover Cluster Manager. B. In the left pane, select “Services and Application”C. In the Action pane, select “Configure a Service or Application”. This will open the “High Availability Wizard” D. Select “Virtual Machine”, then select “Next > ”E. Check the Virtual Machine that you want to add to the Failover Cluster. (Note, the VM must be shutdown/turned off to be added) Select “Next > ”Failover Clustering will determine if this VM is using CSV or standard cluster disks based on the path of the VHD (it will look for the %System. Acrobat XI Pro crack (3. Win xp- 7- 8] Updated. Great News!! We just finished our crack for Adobe Acrobat IX pro, a great work of Chema =) . This crack is ONLY for Windows and works with the trial version. If you find any problems, please leave us a comment with your Windows version. Acrobat XI Pro Crack & Keygen. ![]()
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